Tag Archives: us box office figures

Many Obsessed With Beyonce

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Beyonce Knowles-starring thriller Obsessed has taken a pretty impressive $28.5m over its opening weekend to top the US charts. The movie, which also stars The Wire’s Idris Elba and Heroes’ Ali Larter, took the second biggest opening for a Screen Gems movie ever, only defeated by the Exorcism of Emily Rose in 2005. It’s a pretty astonishingly high opening, probably a testament to the star power of Knowles in ostensibly her second profession.

Zac Efron’s 17 Again managed to remain relatively resilient in second place with $11.7m, a respectable second week total which allowed it just to pip the Channing Tatum-starring Fighting. That managed $11.4m to come in well above expectations for a minimum star movie.

That contrasted to the film in fourth place, Joe Wright’s The Soloist with Robert Downey Jr and Jamie Foxx. It seems that, unlike Knowles, the star power of Downey Jr doesn’t quite stretch across audiences to bring his Iron Man muscle to the film. It could also have been hurt by Jamie Foxx’s idiocy over the past week or so in insulting Disney star Miley Cyrus in such a childish and twattish manner. Mum’s don’t like stars who have a go at youngers, Jamie.

A notable entry in fifth came to Earth, the first film to come from the newly-formed Disneynature subsidiary of the Mouse House. It managed $8.6m over the weekend, the third best ever for a documentary, with a five-day gross of $14.2m.

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Knowing Trounces All Comers

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Knowing, the new Nicolas Cage film, a genre in itself these days, reigned supreme at the US box-office over the weekend, racking up an impressive $24.8m over the three days. This was enough to knock I Love You, Man into second, taking a slightly disappointing $18m with Duplicity, the return of Julia Roberts (although she kind of returned with Charlie Wilson’s War a little way back), was another disappointment, taking only $14.4m despite relatively good reviews. This has prompted a few commentators to question the bankability of Roberts in the modern day.

Outside of that, Race to Witch Mountain slightly under half in its second week to $13m with Watchmen propping up the top five with $6.7m. It means the total gross of the latter currently remains under $100m for its domestic take.