Tag Archives: pixar

DVDs This Week – 15/02/10

It is a really slow week for DVD releases this week. As the featured DVDs I was close to having to review a horror/comedy starring porn stars about a possesed penis where the tagline was: if you see it coming, you’re already dead. Fortunately, I managed to sidestep that natural disaster and instead opted for these four below:

Up
Pixar’s latest offering arrives on DVD after receiving massive critical and commercial acclaim. Having received five Oscar nominations (including Best Picture), expect to hear much more about this movie. While whether this film is better than previous Pixar films is purely down to personal preference (general online consensus seems to be that it is not as good as Wall-E, I am more of a fan of Monsters Inc), the global phenomenon that is Pixar has made this film a complete success. I would also be slightly disappointed if it won Picture – I think Up in the Air and District 9 are more deserving movies – but wouldn’t take anything away from it getting Best Animated.

Up also benefits from the fact that it will lose nothing on DVD by being in 2D, the only other film 3D film I know that does this is Coraline. This DVD will sell by the absolute shedload.

Pandorum
From a multi-award-nominated and critically-acclaimed movie to a big steaming pile of crap. This sci-fi/thriller is set on a spaceship where the crew awaken with no memory of past events. Note: I actually watched this film on a recommendation from a friend, the recommendations from whom I will now ignore. It has drawn comparisons with Event Horizon but comes nowhere near. While the CGI isn’t terrible (the film was made for $40 million and it definitely gets its money’s worth), the story is predictable and the acting is terrible. Probably one for a drunken night’s rental at best.

Open Graves
Horror film  starring Elisha Dushku where a tale of a group of friends who play a mysterious game where the losers lose their life in the way the lose in the game.

Ong Bak: The Beginning
Tony Jaa-starring martial arts movie. This is an enjoyable film if you know what to expect. It is never going to win acclaim for storytelling or plot progression; it is simply all about the fighting. Tony Jaa is probably the greatest martial artist since Bruce Lee, and as always Jaa does all his own stunts. And the stunts are ridiculous: a crocodile get punched out, there are backflips off elephants and there are flying knees that are on fire. Turn your brain off, get a few friends and enjoy an entertaining but effectively stupid martial arts masterclass.

Also out this week: Kurbaan – George Carlin: Life is Worth Losing – Borderland – One-Eyed Monster

Sam’s Top 42 Films of the Decade

Just for the sake of my own sanity and desperate need to have these written somewhere, I give you my favourite forty-two films of the past decade. There are at least fifty-six other films I would like to put onto a list, but I think I need to forcefully prevent any more decade-based listmaking as quickly as possible. So beneath is the top ten list, along with a sentence or two on each film and then thirty-two, out-of-list-order, films which I had to include.

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Sam’s Top Ten of the Year

You can listen to us discussing these films at length on the podcast on the show, but please do check out the list below for perpetuity. Sam’s list is annotated and included below, Tom’s is not annotated and its right here. This just means you will have to check out the podcast to hear Tom’s viewpoints. So check out Sam’s choices after the jump, along with a few choice thoughts and honourable mentions. Enjoy!

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Let the Oscar Buzz Begineth!!

Oscars-Predictions-1

As we are prone to do, it feels like to kick-off the Oscar buzz season as awards from major film festivals begin to roll in and the ceremony approaches. I realise that this may feel like the kind of wishing-life-away feeling that it given as you walk into shops in mid-September and see Christmas stock out all over the place, but these will get more frequent as we get closer and can begin to actually predict what could win. This is more to provide an interesting gauge of how buzz works, how it changes and how wrong we could well end up being by the time the awards come around.

So, just for the big few categories, here’s what seems like it’s going to cause a stir this year: Continue reading →

Uber Round Up

scott-pilgrim

Scott Pilgrim has his very own movie website.

Michael Sheen has joined up with the cast of New Moon, the upcoming sequel to Twilight.

William Hurt is now in the cast of Ridley Scott’s Robin Hood adaptation/reimagining thing.

Un trailer for Gerard Butler in The Ugly Truth.

Watchmen scribe Alex Tse is to write an adaptation of the upcoming Paul Pope graphic novel Battling Boy.

Zac Efron will play Johnny Quest. No nothing about Johnny Quest although, I imagine, fanboys will be furious!

Angelina Jolie is in talks once more for a part in Sin City 2.

Ray Winstone, David Thewlis and the lovely Anna Friel have signed up for William Monahan’s London Boulevard.

The trailer has shown up for Johnnie To’s Vengeance.

Some early, positive buzz has been flowing in for Pixar’s Up.

Adam Shankman could be making Hairspray 2 in 3D, according to reports in First Showing.

Amy Poehler and Tina Fey may well re-team, despite the lukewarm weakness of Baby Mama in my books.

Could the sequel to Tron rack up $300m in budget, or is this another Avatar-Time typo?

Up to Open Cannes

up1

Pixar’s next feature, the enchanting-looking Up, is to open the Cannes Film Festival, the first 3D and first animated movie to do so. Thierry Fremaux, the delegate general of the Cannes Film Festival, said it has worked to support animated movies in the past, noting the likes of Waltz with Bashir and Persepolis.

He added: ‘It’s audacious to open the festival with an animated film, but we’re conscious of our duty : it’s by stretching its boundaries that cinema remains universal.’

It’s good and see an about time really, Pixar movies go well beyond the limits of traditional animation, both technically and through the sophistication of the storytelling, so the French should darn well start accepting such brilliance into their culture.