George Clooney has signed on to star in A Very Private Gentleman, the adaptation of the Martin Booth novel being helmed by Anton Corbijn, the famed photographer and director of the excellent Joy Division biopic Control.
Sean Penn is to star in the English language debut of Paolo Sorrentino, the director of Il Divo, called This Must Be the Place. Penn will play an aging rock star who becomes bored in retirement and makes a decision to track down the killer of his father.
The trailer has shown up for Sherlock Holmes, the Guy Ritchie-directed take on the character, and features another comic tour-de-force from Robert Downey Jr.
Ben Stiller has been talking up Zoolander 2 in an interview with the UK’s own Screenrush.
Akira Kurosawa’s Kagemusha is to be released in a brand-spanking-new Blu-ray edition through Criterion.
Chris Hemsworth, who made a genuine impression in his ten minutes in Star Trek, is to play Thor.
Dustin Lance Black, the writer of Milk, has lined up Liam Neeson and Jennifer Connelly for his directorial debut, What’s Wrong with Virginia?
John Goodman has apparently joined the cast of The Cross, the new sci-fi from Andrew Niccol starring Orlando Bloom, Vincent Cassel and Olga Kurylenko.
The Imaginarium of Dr Parnassus, the final film of Heath Ledger, is reportedly running into problems and is thus far without both a distributor or a set-in-stone release date. The film made a number of headlines, obviously, following Ledger’s untimely death last year and through his replacement by Johnny Depp, Colin Farrell and Jude Law.
Yes, it is directed by the notoriously troublesome Terry Gilliam. But really, with a budget of $30m, how on earth are people not diving on this film. You not only have the final burn of star power for Ledger, lest we forget the Oscar-winning star of the second-highest-grossing film of all time, and also that of Depp, the star of multi-billion grossing Pirates of the Caribbean series.
I realise Gilliam has a tendency to prove difficult to rein in, but there is not a chance on this planet that even he could go so spectacularly over budget that this film will not make $30m. It could easily do double that purely on the back of The Dark Knight hype. It says much about the general nervous sentiment amongst studios in the current climate that no one has yet picked up such a banker, no matter how odd it turns out to be.