It’s only fair to talk about another awards ceremony at this time of year, one which has managed to maintain its staunch anti-commercial stance and has never sacrificed its history to allow higher-grossing films into its top categories. This is partly because the films which tend to get given Razzies are often seen by millions of foolish people, a pattern which dictates future movie release schedules and therefore repeats the feat, making more bad movies which more people see and therefore perpetuating the need for the Razzies.
This year’s bunch, in full here, are particularly righteous, with Land of the Lost and Transformers 2: Revenge of the Fallen leading the ignominious. So, a few bulleted thoughts on the nominations:
- Sandra Bullock ‘does and Eddie Murphy’ and gets nods for Best Actress at both The Oscars and The Razzies. She gets it here for All About Steve, a film which I have not seen but is purportedly so awful as to have made some member of the MOD’s extended family spew expletives beyond the recognition of well-bred English-speaking people. Whether this nod will hurt her chances for winning for The Blind Side, as I would suggest Norbit did for Murphy when he got his Dreamgirls nod, remains to be seen.
- Nice barbed stab at The Jonas Brothers as Worst Actors. A band which appears to be attempting to disseminate abstinence-only teachings to your children, a tactic which will only end in massive number of underage pregnancies amongst fans of the stupifyingly pointless band, deserve to be kicked, beaten and knocked down at every possible point.
- Shia LeBoeuf and Megan Fox for Worst Couple is perfect. The entire pair of those films looks as though he is frightened to touch her for fear of having his hands smeared in sweat-ravaged fake tan or the germs of other men. Her nod for worst actress though perhaps should be paired with her comically inept performance in Jennifer’s Body, in which she mistakes ‘sexy’ for ‘late-80s New York hooker’.
- Also, praise to the board for the dumps taken on Hugh Hefner, Billy Ray Cyrus, Miley Cyrus and Steve Martin, on of whom can do better and the rest of which should be consigned to a dumpster to live in shame.
As it’s the end of the decade, they’ve also released their nominations for Film, Actor and Actress of the Decade, worst that is. My predictions and views are below.
- Picture: I think Battlefield Earth may have to take it on this one, though the competition is tough. I Know Who Killed Me probably didn’t offend enough people to take the prize, but Gigli is a worthy challenger. Freddy Got Fingered probably has too many dumb revisionist cult movie fans to win this one.
- Actor: Travolta and Murphy will battle it out for Worst Actor. The nod for Myers is absolutely right, especially after he attempted to shit on Inglourious Basterds this year, as if he had yet to destroy enough over the past ten years. Affleck been okay in some stuff so doesn’t really deserve it and Rob Schneider, everyone just wants to forget about Rob Schneider.
- Actress: For Worst Actress, Madonna has always been terrible but she may not have done enough to earn the title. Lohan has Mean Girls to prevent her dropping in to the race. Gigli places Lopez in a strong position to win while Carey has had Precious to redeem her a little. So it has to be Hilton, an STD which has blighted cinema for ten years now and should be deservedly eviscerated.
The Daily Express has reported that Tom Cruise is planning to produce a remake of Butch Cassidy and the Sundance Kid. Yep. And get this; John Travolta would star with him.
Now, there are a few issues with this. The first, which negates the entire rest of the piece, is that the Daily Express does not really get scoops in the UK, in which case this is very likely to be an over-enthusiastic journalist trying to grab some publicity and taking some statements out of context. On this subject, the source from which this news comes from is the dreaded anonymous. So, this is very likely some trumped up tomfoolery (pun somewhat intended).
Second, should this be true, this is a terrible idea. Now, I don’t normally just have a visceral reaction of ‘NO’ to all remakes that come along because, honestly, there are some films which could do with remaking or reimagining. Butch Cassidy and the Sundance Kid is not one of the them. They got it right the first time round, there is just no need to remake it. This is the problem with remakes of great films (see: The Taking of Pelham 123) by modern directors who have no interest in doing anything different.
So, while it try to avoid such negativity, I hate this idea and hope desperately that The Daily Express remains the terrible, sub-Daily Mail idiocy it has always been and becomes proved wrong on this abominable story.
Peter Morgan, something of a specialist at penning stories about real-life prominent British figures, often about their relationships to prominent, real-life American figures, is to make his third Tony Blair-related piece with The Special Relationship. The film, a co-production between HBO and BBC Films, will focus on the bond held between Tony Blair and Bill Clinton from the commencement of Blair’s premiership in 1997 until Clinton’s final days as President in 2000.
Michael Sheen, who played Blair in the Morgan-penned The Deal and The Queen, will reprise his role as the former Prime Minister. Dennis Quaid has reportedly won the role of Clinton, apparently beating out competition from the likes of Russell Crowe, Philip Seymour Hoffman, Alec Baldwin and Tim Robbins. Hillary will be played by Julianne Moore. Helen McCrory, who played Cherie Blair in The Deal and The Queen, will return. The sticky (ahem) issue of Monica Lewinsky will be sidestepped through showing the intern in only archive footage, apparently included video of her closed-door testimony to Congress on the scandal.
It will mark the first time Clinton has been portrayed on film in power, having been the heavy inspiration for the subject in Primary Colors, the 1998 Mike Nichols film in which John Travolta played a thinly-veiled version of the president during the campaign season.
Interestingly, should the funding be raised, it would be Morgan’s directorial debut, having had Stephen Frears in the chair for The Deal and The Queen. That could prove a challenge for Morgan, whose scripts are often the strongest element but who does need a steadying hand to deal with the actors to prevent any sense of impression falling into the performances.
By a similar token, this will prove a real challenge for the actors, especially Quaid who will be taking on one of the most charismatic political figures in recent years and must avoid falling anywhere close to caricature.