The vast majority of the buzz surrounding this movie is split across the fact that Kristen Stewart is in it and that she and Dakota Fanning kiss in the film. I’m not wholly sure what the buzz is around the latter, but it should surely be more controversy that salaciousness given that Fanning is only fifteen.
Cinematical’s Kevin Kelly dug the movie, with a pretty significant amount of praise in his review devoted to the performances by Stewart, Fanning and Michael Shannon as Kim Fowley. He describes the performances from all three as “powerful“, but asserts that Shannon “takes this movie, straps it to his back, and walks away with it completely“. On the two female leads:
Kristen Stewart steps out of her normal angsty girl act and nails down the punk rock, hard as nails Jett, and Fanning is equally as good with her disconnected portrayal of Currie, who is dealing with the fact that she’s abandoning her alcoholic father and her twin sister Marie (played as fraternal in the movie, although they were identical in real life) to embrace a life of rock and roll.
Sam Adams for IFC was less taken by the movie itself, but is also praising of the Stewart and Fanning performances:
As much as for its characters, “The Runaways” is a rite of passage for its stars: Fanning, attempting to move beyond her preternaturally placid juvenile roles, and Kristen Stewart, whose volcanic Joan Jett runs hotter than the brooding teens she’s played in, well, everything.
Salon’s Andrew O’Hehir was again entertained, but felt that more was promised somewhere along the line: “[Director Floria] Sigismondi has made a straightforward rock ‘n’ roll biopic that’s fluid and exciting to watch, but clearly aspires to something more,” he says.
One dissenting voice comes from First Showing’s Alex Billington.
…I was completely unimpressed with Floria Sigismondi’s inability to handle the characters, the story, or the film at all. And despite having a good time watching concert scenes, I don’t have much else good to say about The Runaways. This was one of the first big let downs of Sundance for me and I was even looking forward to it.
So mostly love, especially for Fanning and Shannon, though Stewart also picks up quite a few plaudits. There seems a general agreement that it’s a little unfocused character-wise, but the performances do much to rectify these problems.
Antichrist, in short, follows the story of a couple, hit hard by the death of their child, who retreat to a cabin in the woods in which a great deal of trippy/disturbing occurences befall them.
The film has been a divider at the festival, drawing completely differing viewpoints critics, primarily shocked rather than negative, and even prompted the hyperbole-addicted Jeff Wells to proclaim this a “career embarrassment” for all involved.
Whether it is or not, this kind of film will generate publicity and curiosity. People, myself included, will be anxious to understand the kind of divisive choices Von Trier, a consciously-provocative filmmakers in even his calmest moments, has made to elicit such intense opinion from those to have seen the movie.