Just for the sake of my own sanity and desperate need to have these written somewhere, I give you my favourite forty-two films of the past decade. There are at least fifty-six other films I would like to put onto a list, but I think I need to forcefully prevent any more decade-based listmaking as quickly as possible. So beneath is the top ten list, along with a sentence or two on each film and then thirty-two, out-of-list-order, films which I had to include.
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The trailer for My Son, My Son, What Have Ye Done?, the new movie from Werner Herzog and produced by David Lynch, has turned up. It’s not quite as insane as the trailer for his take on Bad Lieutenant, but the voiceover does seem to slightly mistake the kind of film Herzog tends to make. It does however, akin to Rescue Dawn, indicate this desire in modern Herzog movies to make films which seem to conform to the look and feel of mainstream Hollywood movies and yet entirely work within his own sphere of interest.
Check it out below.
As the shy and retiring producer of The Movie Overdose it’s my job to get Sam and Tom together in the same room and record their thoughts and opinions on the world of cinema. More often than not I’m quite content to sit back and bask in the velvet tones of your two magnificent hosts, piping up every so often with a terrible and almost entirely inaudible contribution from the back of the room.
So consider this my slightly more audible response to a section of episode 10 wherein Sam and Tom discussed whether Watchmen was a failure, in particular, the “unfilmable” aspect of the source material. Now I still haven’t seen Watchmen myself, despite paying £25 for a special screening and sitting through the entire film with no visibility and atrociously painful seating arrangements. So utterly awful was my experience with that movie that despite the fact that all the cinema auditorium elements were present: a screen, a chair and myself, I still feel as though I haven’t watched it. Why write an article then? Well my overall impression of the film despite these conditions was positive and as a huge fan of Alan Moore’s work I think I can say it was a success to a degree. For those in the know it’s completely fair to say the book is inherently unfilmable but yet Zack Snyder did it. The structure of the narrative arc, the ensemble cast and heavy message all add up to this sprawling masterpiece which even to try and successfully film just one aspect of the book, the filmmaker runs the risk of massacring the entire book and incurring the wrath of countless die-hard comic fans.
Read on for the rest of this scintillating opinion piece.
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