Our brand new writer, Chris Inman, has not only provided the world with his top five movies of 2009, he now furnishes you lucky people with his top twenty movies of the decade. A couple of controversial more recent choices are included and should be debated immediately, but otherwise it’s a bloody strong list that will definitely find one followers amongst the existing MOD clan who will thoroughly agree with the winner.
Onwards then, and look our for more articles to come from Chris in the very near future as he kicks off his tenure with us in earnest.
Kevin Smith is to launch outside of his comfort zone (no View Askew, no Scott Mosier producing) to direct A Couple of Cops, a buddy movie to star Bruce Willis and Tracy Morgan. Could provide an interesting view on how Smith is developing as a director and possibly give the world another really good buddy movie which, on premise, seems closely in the vein of late-80s Shane Black-style stuff.
Zack Snyder is forming an all-girl cast for Sucker Punch, about girls in a mental asylum who fantasises about escaping with all her inmates. Likely to star the likes of Amanda Seyfried, Vanessa Hudgens, Abbie Cornish, Evan Rachel Wood and Emma Stone. Doesn’t specifically make me too excited but I would be interested to see what Snyder does next because he handled the entire Watchmen saga, the build-up and movie, with aplomb.
Megan Fox has begun to take up some new offers which are likely to offer very little new to her current persona. Fox has reportedly joined the cast of Jonah Hex alongside Josh Brolin and will star in Fathom, an adaptation of the comic series. Cinematical reports that Fox has been a fan of the comic series for some time and is helping to bring it to the screen, likely making her the dream girl for many, many JoBlo readers around the world. Maybe however she should get a little praise for understanding that she has limits and using her talents in the most lucrative way possible. Hats off to Ms Fox.
Leonardo DiCaprio is to team with Christopher Nolan on the latter’s post-Dark Knight project, Inception. the film has been described as a science fiction piece ‘set in the architecture of the mind’ and was also written by Nolan. You’d have to suggest that this won’t garner anything near the level of business Dark Knight did but it’s good to see Nolan is nourishing his filmmaking skills elsewhere, something that would have been advisable to Sam Raimi back in the day and would most likely have provided the world with better Spiderman sequels.
Talk is rife on what the next Danny Boyle movie will be. Reports emerged early in the week, very speculative, that he could direct the next James Bond. Later however, it seems he is closing in on doing a remake of My Fair Lady, putting of another project called Hanna, about a teenage assassin.
Also in the news: Jim Jarmusch’s Limits of Control has a trailer; Mickey Rourke, Vince Cassell and Alice Braga will star in an adaptation of Paulo Coehlo’s 11 Minutes; A viewpoint from Slate on how a Tarantino Watchmen would look; Barry Sonnenfeld will direct an adaptation of Korean film Scandal Makers; Keira Knightley is to star in Never Let Me Go, an adaptation of Kazuo Ishiguro’s amazing novel, which you should probably read instead now Knightley has signed up; A three minute clip of The Boat that Rocked has turned up; Ed Zwick is to direct In the Heart of the Sea by Nathan Philbrick; Ridley Scott has talked a little more about his Monopoly movie.
Starring: Dev Patel, Freida Pinto, Anil Kapoor, Irrfan Khan, Madhur Mittal
Director: Danny Boyle (Loveleen Tandan, co-director)
Writer: Simon Beaufoy, from the novel by Vikas Swarup
Lauded prior to release on our side of the pond, Slumdog Millionaire is a pretty outstanding piece of British filmmaking, one of the fine times when Danny Boyle’s stylistic ability converges with a sense of powerful emotion. Not only that, it’s one of the first mainstream attempts by a movie in the UK to engage with the cultural melting pot which exists, primarily made from Asian and English personage.
We follow Jamal, a young kid from the slums of Mumbai, then Bombay, as he stands on the verge of winning the top prize on the Indian version of Who Wants to be a Millionaire. As he gets to the last question, Jamal is carted off by authorities who accuse him of cheating. The film then structures out to explore a series of events in Jamal’s life which have given provided him with all the answers to be able to win the quiz.
Promoted as a feel-good movie, it’s one of the strangest forms of such a sub-genre. The vast majority of Slumdog Millionaire sees the horrific life of a slum child in India across the poverty of his early life and his witnessing of the building up of the new India. Some scenes of the film are truly horrific and the tenor of that part of his life seems hopeless, only pulled back from the edge of depressing by Danny Boyle’s kinetic direction and a sense of hope that the movie plumbs constantly to remind us of the adage that true love will eventually prevail. If this subtracts from the film’s ability to surprise, making it relatively predictable in terms of getting from A to C, the B section is where we, and Jamal, earn the happy ending.
The events that occur in Jamal’s life are horrendous, frightening and deeply troubling; from his life working in a harem of beggars for a master willing to do anything to make them more likely to solicit sympathetic donations to his constant battles and ventures into the darkest parts of town to continually find his love, Latika. But they begin by the close for form a semi-biblical trial that Jamal must go through, reconciling his relationship with his brother and, with the gameshow, giving himself a sense of closure on that part of his life and a new beginning to look forward to. The relationship with his brother, the wayward Salim, is maybe the strongest part of the film. The two are not diametrically opposed and manage to capture the anger and forgiveness balance that is necessary within a brotherly relationship.
Boyle’s direction is constantly outstanding, visually superlative and infusing what could be a slog of a film with a vitality and energy that drags it through any of the more disturbing elements of the story. The performance match this well with both Dev Patel and Freida Pinto, as Jamal and Latika respectively, are wide-eyed and naïve filled with the possibilities of love and drawing the audience into their relationship enough to mean that few will begrudge Boyle his climactic moments. Also outstanding are Anil Kapoor as the host of Millionaire, just smarmy enough to be entertaining during the show, and the always-excellent Irrfan Khan as the police inspector questioning Jamal.
I would struggle to entirely characterise this as feel-good given the journey needed prior to any real feeling good. But this is a superb film, hugely enjoyable and brilliantly made and will surely be making year-end lists across the UK.
MOD Rating: ♦♦♦♦