Good fun and definitely rewatchable zombie comedy. I am still unsure whether I find this or Shaun of the dead a better zom-com (although I still would take Dr S Battles The Sex Crazed Reefer Zombies over both of them).
An absolutely blinding title sequence and a fair hit count of good laughs helped me to enjoy this film a lot at the cinema and at times, it does look gorgeous, but I found it hard to escape the feeling that Jesse Eisenberg was essentially playing Michael Cera. While he did a decent job of this it felt a bit strange given that I was already getting a feeling of overkill with Michael Cera playing Michael Cera in his films.
By now everyone should know about the cameo, but I have to admit – I found it a massive disappointment. It is so forced and the only laugh it gave me (which was probably the biggest laugh to be fair) was in the character’s eventual death. The film is the perfect length so that it doesn’t feel too long and it’s great to see that a director can show restraint and knows when to finish a film before it gets too stale.
Overall, this film is definitely in my top 3 comedy films of 2009 and I highly recommend it, although at times the gags can be hit and miss possibly due to the high gag count. It looks really good for a comedy film and shows some moments of ingenuity, but may be guilty of trying to many tricks to gain it’s own style.
Michael Haneke’s Palme D’Or 2009 winner also came very high in a large number of film critics films of the decade. The plot of the film involves a school teacher recalling memories of the year that he met his fiancee, where a number of strange occurrences take place in a German village during the twelve months between July 1913 and 1914..
As seems to be the case with Haneke’s films, White Ribbon can be described as both ‘violent’, but also ‘subtle’. I recently decided to rewatch Cache, another Haneke film starring my favourite foreign actor and actress, Daniel Auteuil and Juliette Binoche. On first watch I didn’t enjoy the film but I decided to rewatch because I realised I had missed a hell of a lot of the plot because a lot of things happen in the background, and unlike a Hollywood film, isn’t telegraphed. I expect White Ribbon to be similar to Cache in that respect and Haneke is definitely a director that commands attention.
I managed to catch this at the fantastic Hyde Park Picture House (my favourite UK cinema ever) late last year and while the movie is watchable, it is far from a great film. Paul Giamatti plays Paul Giamatti preparing for the Chekhov play “Uncle Vanya”. To deal with his growing anxiety regarding the role, he decides to follow up an advert in a newspaper to store his soul in a storage facility until the play is over. The plot is amazingly high concept, but it just doesn’t seem to work. It tries to be subtle, but then hammers home some comedy elements (as though the writer was questioning the audiences’ intelligence). Also, rare for a Paul Giamatti film, he is guilty of some horrific overacting.
In summary, despite a great concept, the film never lives up to its premise. Cold Souls tries to be intelligent, but doesn’t have the brains that it thinks it has.
Also out this week: A Serious Man – Survival of the Dead – Paranormal Entity
As we are prone to do, it feels like to kick-off the Oscar buzz season as awards from major film festivals begin to roll in and the ceremony approaches. I realise that this may feel like the kind of wishing-life-away feeling that it given as you walk into shops in mid-September and see Christmas stock out all over the place, but these will get more frequent as we get closer and can begin to actually predict what could win. This is more to provide an interesting gauge of how buzz works, how it changes and how wrong we could well end up being by the time the awards come around.
So, just for the big few categories, here’s what seems like it’s going to cause a stir this year: Continue reading →
The Coen brothers have announced plans to remake the John Wayne classic True Grit, the one where the man plays Rooster Cogburn and the one he won his Oscar for.
The Coens are not however looking to remake the film so much as go back to an adaptation of the original novel by Charles Portis which backgrounds the Cogburn character in favour of Mattie, played by Kim Darby in the original film, which will mean they will likely focus on the darker, less heroic elements of the story.
The brothers already have a lot of projects lined up with A Serious Man, a black comedy about a man whose wife is leaving him due to his mooching brother, the next. They’ve also got their hands on an adaptation of Michael Chabon’s sparky Yiddish Policeman’s Union plus theatre comedy Hail Caesar and the mysterious Suburbicon.
Busy time post Oscar for the Coens and, it seems to me, they have a clean canvas on which to chart the rest of their artistic career.