Tag Archives: cate blanchett

Movie News Round-Up

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Michel Gondry has been signed up to direct The Green Hornet, the crime-fighting comic book adaptation starring Seth Rogen and Stephen Chow. Chow had been signed up to direct but later dropped out over what were described as ‘creative differences’. Gondry’s presence makes this easily the most interesting comic movie on its way at present. I may not have fully loved Be Kind Rewind, but Eternal Sunshine of the Spotless Mind is one of the best films of the past ten years while Science of Sleep is an endless well of whimsy and imagination. Notably, the news was first reported on the Twitter feed of Production Weekly. Also, the trailer for Rogen’s new movie, Observe and Report, has emerged and looks like something of a departure for him into a slightly darker area.

Entertainment Weekly is reporting that Drew Barrymore, she of the adorable poppet-ness, is among the candidates being considered for Eclipse, the third movie in the Twilight series which will follow up the next instalment, New Moon, in 2010. Barrymore has recently signed off on her debut in the chair, Whip It, starring Ellen Page.

Eddie Murphy has apparently signed on to play Richard Pryor in ‘Richard Pryor: Was It Something I Said’ for director Bill Condon. It will reunite the pair who worked together previously on Dreamgirls, the film which garnered so much buzz for Murphy and won him an Academy Award nomination. Seems like a strong part for him given the placement of Murphy as the next in line in succession in the evolution of black comedians after Pryor and preceding Chris Rock.

Cate Blanchett has signed on the dotted line to play Maid Marian in Ridley Scott’s Robin Hood. This news follows that from last week that Scott has changed the name and vision behind the project to a more straight-forward retelling.

Samuel L Jackson is to play Nick Fury in Iron Man 2, Captain America, Thor, The Avengers and, possibly, in a Nick Fury movie should Marvel decide to do this too. There had been issues over Jackson joining in the past but now it seems such things have been pushed aside for the sake of continuity.

Will Ferrell and Mark Wahlberg are to team for The B Team, a comedy from Adam McKay which will follow the misadventures of two mismatched cops. Sounds like it be in a similar vein to all other Ferrell/McKay projects and have around four very funny Ferrell moments, almost no story and an effort to make up for any shortcomings through shouting.

Sean Penn and Naomi Watts are involved in talks for Fair Game, not a remake of the Cindy Crawford-starrer from the mid90s, but a drama about the outing of CIA agent Valerie Plame Wilson. It would reunite Penn and Watts from when they starred together in the Innaritu/Arriaga piece 21 Grams, a role which won Watts a Best Actress nod at the Oscars. Fair Game will be directed by Doug Liman.

Joss Whedon has spoken out during an interview with Maxim on why many DC comics adaptations are having difficulty in getting to the big screen, including Wonder Woman, which he was often linked with in the past. Whedon said the difference in the era in which the DC comics were made meant that the heroes were not being created as people, but as gods. ‘DC’s characters, like Wonder Woman and Superman and Green Lantern, were all very much removed from humanity. Batman was the only character they had who was so rooted in pain, that had that same gift that the Marvel characters had, which was that gift of humanity that we can relate to.’ Whedon has long been working on getting Wonder Woman off the ground with Eliza Dushku in the lead. Personally, I’m not a big fan of Dushku’s acting so I’d put forward Morena Baccarin of Firefly and Serenity fame instead. Probably wouldn’t get made either way though.

Francis Ford Coppola has given out some new information on Tetro, his new film following the life, loves and troubles of an Italian family of artists. It stars Vincent Gallo and is, according to Coppola, his first ‘original screenplay’ since his The Conversation. A film from Coppola about an Italian family of artists, autobiography much?

Also in the news: Emily Blunt will definitely not be in Iron Man 2, instead she’ll have to star alongside Jack Black in Gulliver’s Travels; Mel Gibson’s The Colonel has a trailer; Jim Carrey and Jake Gyllenhaal are to star in a remake of Damn Yankees; Naomi Watts and Freida Pinto have joined Woody Allen’s next movie; Warner Bros has picked up the rights to adapt comic series Suicide Squad; The Coens have directed a 30-second commercial mocking the claim of clean coal; Gore Verbinski is to bring Clue/Cluedo to screens; Seth Green will star in animated caper Mars Needs Moms!; Ed Helms is to write and star in a Civil War-themed comedy; Danny Boyle and Dev Patel may take part in the real-life Who Wants to be a Millionaire; Peter Baynham, a collaborator of Sasha Baron Cohen on Borat, will write the Arthur remake for Russell Brand;

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Review: The Curious Case of Benjamin Button

The Curious Case of Benjamin Button
Starring: Brad Pitt, Cate Blanchett, Tajari P Henson, Tilda Swinton, Jason Flemying, Mahershalalhashbaz Ali, Julia Ormond, Elias Koteas
Director: David Fincher
Writer: Eric Roth

Much talk amongst movie reviewers from the blogosphere in the run up to the 2009 Oscars has centred on the praise and focus being given to Slumdog Millionaire. So little has questioned the startling thirteen nominations given to The Curious Case of Benjamin Button, a film which has managed to plough through the past few months without ever worrying over getting itself into the key categories in all ceremonies. That’s not to suggest this isn’t a good film, but there seems to be little in the way of questions being asked as to how a film almost universally considered something of a disappointment has managed to so sturdily entrench itself among the best films of the year.

It is certainly ambitious, basing its near-three hour narrative on a short story by F Scott Fitzgerald concerning a gentleman who is aging backwards, and visually stunning. That much seemed true before its release given the trailers and the presence of David Fincher, maybe the most visually proficient auteur working in Hollywood. His presence here both reassures and causes anxiety given the subject matter, something tailor-made for grand American filmmaking in a tradition stretching well into old-Hollywood. He is a brilliant director, capable of understanding the need to project bigger ideas whilst also maintaining a perfect attention to detail, reaching his synergetic apex with Zodiac two years ago. This film seems half perfect for him. The visual aspects and the attention to both period detail and the need for the actors to dive into their portrayals work well for him, but he never seemed right for capturing the deep emotional bonds between the two lead characters and, indeed, this is where the film fails.

This can’t all be laid at the door of Fincher. He does create a spell-binding world for the film to exist in and carries forward the narrative at a reasonable pace, managing to avoid you feeling the length too much. The problem primarily comes from Brad Pitt. He is fine as usual but he works better in films where he has to have a short-attention span and puppy-dog demeanour, even if it’s a particularly deviant puppy dog. Here, he has to carry emotional weight which he is unable to do. It seems somewhat as through he has failed to heed the advice exhibited by George Clooney who understands both his limitations and strengths. Pitt seems to think he has the ability to pull of a role like this when in fact he occupies a similar space to Clooney, only eternally younger. It makes him a very difficult and awkward forty-year-old. Cate Blanchett is better, managing to be quite elegant and strong in her scenes but never exhibits what the charm is that Button so falls for. Easily the best member of the cast is Taraji P Henson as Button’s surrogate/adopted mother figure. She exudes love and motherly compassion for her children, lending her scenes a weight which the writing doesn’t really deserve.

The script from Roth is so close to Forrest Gump – even included a line about his mother, Henson, saying to him that ‘you never know what you’re gonna get’ – that you feel certain sense of déjà vu in places but, in fairness to Gump, that film is visually less exciting but far more emotionally impactful. The big beats in Roth’s script just don’t earn the kind of emotion they seek from the audience and therefore there is little to take from this outside of admiring the brilliance of the technical filmmaking.

That’s not to say this isn’t worthwhile. Fincher’s direction is confident throughout, even if he failed to understand the strengths of his regular collaborator Pitt. A more powerful actor in the lead role would likely have pulled Blanchett’s performance up to scruff too and made a truly emotional, very-near masterpiece. Unfortunately, Roth’s screenplay and Pitt’s performance just don’t have what’s needed to prevent the moments of schmaltz from ruining what should have been something special.

MOD Rating: ♦♦♦1/2

BAFTA Predictions

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So, here in print, are our predictions for this year’s BAFTAs. Please check out the podcast in which we discuss what you will find here. Also, here is the full list of nominations for your perusal.

Best Picture – The Curious Case of Benjamin Button, Frost/Nixon, Milk, The Reader, Slumdog Millionaire
Sam: Slumdog Millionaire
Beth: Slumdog Millionaire
Tom: Slumdog Millionaire

Best British Film – Hunger, In Bruges, Mamma Mia, Man on Wire, Slumdog Millionaire
Sam: Man on Wire
Beth: Slumdog Millionaire
Tom: Slumdog Millionaire

Best Director – Clint Eastwood (Changeling), David Fincher (The Curious Case of Benjamin Button), Ron Howard (Frost/Nixon), Stephen Daldry (The Reader), Danny Boyle (Slumdog Millionaire)
Sam: Danny Boyle
Beth: Danny Boyle
Tom: Danny Boyle

Best Actor – Frank Langella (Frost/Nixon), Dev Patel (Slumdog Millionaire), Sean Penn (Milk), Brad Pitt (The Curious Case of Benjamin Button), Mickey Rourke (The Wrestler)
Sam: Mickey Rourke
Beth: Dev Patel
Tom: Mickey Rourke

Best Actress – Angelina Jolie (Changeling), Kristin Scott Thomas (I’ve Loved You So Long), Meryl Streep (Doubt), Kate Winslet (The Reader), Kate Winslet (Revolutionary Road)
Sam: Kate Winslet (The Reader)
Beth: Kate Winslet (The Reader)
Tom: Kate Winslet (The Reader)

Best Supporting Actor – Robert Downey Jr (Tropic Thunder), Brendan Gleason (In Bruges), Philip Seymour Hoffman (Doubt), Heath Ledger (The Dark Knight), Brad Pitt (Burn After Reading)
Sam: Heath Ledger
Beth: Heath Ledger
Tom: Heath Ledger

Best Supporting Actress – Amy Adams (Doubt), Penelope Cruz (Vicky Cristina Barcelona), Freida Pinto (Slumdog Millionaire), Tilda Swinton (Burn After Reading), Marisa Tomei (The Wrestler)
Sam: Penelope Cruz
Beth: Marisa Tomei
Tom: Amy Adams

Best Original Screenplay – Burn After Reading, Changeling, I’ve Loved You So Long, In Bruges, Milk
Sam: In Bruges
Beth: Milk
Tom: In Bruges

Best Adapted Screenplay – The Curious Case of Benjamin Button, Frost/Nixon, The Reader, Revolutionary Road, Slumdog Millionaire
Sam: Slumdog Millionaire
Beth: Slumdog Millionaire
Tom: The Reader

Best Foreign Language – Baader Meinhof Complex, Gomorrah, I’ve Loved You So Long, Persepolis, Waltz with Bashir
Sam: Waltz with Bashir
Beth: Persepolis
Tom: Waltz with Bashir

Best Animated – Wall-E, Waltz with Bashir, Persepolis
Sam: Wall-E
Beth: Wall-E
Tom: Wall-E

Orange Rising Star – Michael Cera, Michael Fassbender, Noel Clarke, Rebecca Hall, Toby Kebbell
Sam: Michael Fassbender
Beth: Toby Kebbell
Tom: Michael Fassbender