Tag Archives: broken embraces

Our BAFTA Predictions

You can listen to the podcast on which we ‘discussed’ these here but, for the purposes of finality, here are the predictions we made for this year’s BAFTAs. Also, make sure to follow us Live Tweeting the show this evening.

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DVDs This Week – 01/02/10

Broken Embraces

Though far from his best work, Almodovar indulging himself has been earned and this, despite occasionally leaning close to self-parody, is him toying with his own form. Hitchcockian in plotting but completely Almodovar in execution, the film does include some great acting performances from its men and, in Penelope Cruz, an actress entirely in sync with her director and shot as if she is the quintessence of beauty. Not close to his finest (for me, Talk to Her) but undoubtedly worth watching and, coming in the wake of the difficult Bad Education, extremely fun.

In Treatment: Season One
HBO’s first half-hour drama series ran five nights per week for nine weeks. I’ve only sampled it, but I’m very interested to get stuck into this one.

Burma VJ
Intense documentary filmmaking on an entirely required subject.

The Invention of Lying
Slight misfire but reasonably enjoyable Ricky Gervais vehicle. Major atheist overtones.

Sin Nombre
Not seen, but reportedly a tough but tender love story.

Away We Go
Only-okay Sam Mendes quarter-life crisis movie which strays too close to cuteness but is saved by great performances by Maya Rudolph.

Surrogates
Pointless and witless sci-fi action starring Bruce Willis. Only beaten by Gamer as last year’s worst avatar-based film.

Also Out: The Firm, Aliens in the Attic, The Peter Serafinowicz Show, The Soloist, Avatar: The Last Airbender Book 3

Let the Oscar Buzz Begineth!!

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As we are prone to do, it feels like to kick-off the Oscar buzz season as awards from major film festivals begin to roll in and the ceremony approaches. I realise that this may feel like the kind of wishing-life-away feeling that it given as you walk into shops in mid-September and see Christmas stock out all over the place, but these will get more frequent as we get closer and can begin to actually predict what could win. This is more to provide an interesting gauge of how buzz works, how it changes and how wrong we could well end up being by the time the awards come around.

So, just for the big few categories, here’s what seems like it’s going to cause a stir this year: Continue reading →

Cannes Line-Up Announced

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The line-up for the Cannes Film Festival has been announced with a number of interesting projects set to bow in and out of competiton.

As all will already know, Pixar’s Up is opening the festival, the first animated and first 3D film to do so. The other most notable entry is The Imaginarium of Dr Parnassus, the Terry Gilliam-directed movie already set in infamy for being what Heath Ledger was working on when he died.

In competition, Quentin Tarantino comes with Inglourious Basterds, unlikely to repeat the Palme D’or-winning success of Pulp Fiction, while other past winners include The Piano’s Jane Campion with Bright Star and Ken Loach with his Looking for Eric. Loach won a couple of year’s ago for the excellent The Wind that Shakes the Barley and is presently among the favourites to take the top prize this year.

Also involved in competition is Michael Haneke with The White Ribbon, Irreversible’s Gaspar Noe with Enter the Void, Lars von Trier with his creepy-looking Antichrist, Johnnie To with Vengeance, Ang Lee with Taking Woodstock, Red Road’s Andrea Arnold with Fish Tank and Pedro Almodovar with Broken Embraces.

Also notable is the midnight screening of Sam Raimi’s Drag Me to Hell and the return of Alejandro Amenabar with the phenomenal-looking Agora.

Could be a mighty interesting competition this year, especially given the tendency in the past few years for the festival to pick out surprise winners so it’s quite possible that all the films above won’t be in with a shout when it comes down to it.